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Copyright
© 2006 Guide Line Promoti |
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CRESCENDO CON
BRIO:
a busy Autumn awaits theGibraltar National Choir
After National Day, a guest appearance by
Prunella Scales to commemorate Trafalgar, Hallelujah at the
Royal Albert Hall and Christmas carols in English and Spanish...
In just one year they have built a rock solid reputation as
soundtrack to Gibraltar’s happy milestones, from last
year’s Tercentenary celebrations, to National Day, from
a heart-warming Christmas concert, guest starring Andrea Martin,
to a fresh History of Music extravaganza last May at the Alameda
Open Air Theatre — and this National Day they are back
at Casemates, on invitation of the Ministry of Culture, with
a crowd-pleaser programme of medleys spanning from classics
to pop classics such “Simply the Best”, and the
added bonus of a children section, after their debuting success
at last May’s gig.
The Choir will perform from about 11.30 to 12.30, with the
aim of warming up in a swirl of singalongs an all-ages audience
for the political rally and the traditional release of the
30,000 red and white balloons.
But that’s not all: mother-of-three, piano teacher and
former professional singer-songwriter Lili Olivero, creator
and director of the Choir, is organising an extraordinary
“Sea Concert” for next 16th November, as part
of the celebrations for the bicentenary of the Battle of Trafalgar,
with the participation as guest stars of UK celeb actors and
musicians Prunella Scales, Tim West, Terence Allbright and
Steven Roberts, who will act, play and sing accompanied by
the Gibraltar National Choir, also in homage to the cultural
Year of the Sea about to draw to an end. “I
am delighted not only because they are performing here but
also because they are involving the local choir,” said
Lili about her guests. “It’s the first time
that some UK artists have asked my choir to work with them.”
Will the Choir return the favour? Indeed, at the end of November,
when some forty members will sing Händel’s Messiah
at the Royal Albert Hall in London where every year choirs
from all over the world gather to produce a four-thousand
voices strong execution of the classic masterpiece.
Final engagement for 2005 is a Christmas concert on 15th and
16th December at the Holy Trinity Cathedral, sticking to last
year’s formula of children decorating the tree, gospel
readings and carolling, with the novelty of the introduction
of some popular Spanish seasonal tunes.
In the pipeline for next Easter is a concert with internationally
renowned local tenor Nathan Payas – but this project
is still in its early stages.
Director Lili Olivero is pleased with the buzz growing around
the choir, and the commitment core members are showing to
the twice-a-week meetings at the Cathedral of the Holy Trinity,
but especially with the recently-formed junior section of
twenty children aged 7 to 13, which seems to be nurturing
some vocal talents of tomorrow.
The project is Lili’s full-time hobby as she is volunteering
to direct, build a repertoire, and promote forthcoming events.
“My motivation is the music” she said “and
I cannot see myself without it. I also hope that one day my
children will share my passion and join the choir” —
so, where there’s a will there’s a way, and with
her very supportive husband’s help, Lili is able to
juggle her two passions: music and her three young children
(she was actually pregnant with the third one when she was
approached in 2003 by some Calpe Singers with the idea of
launching a national choir).
Lili would also love to return to her song-writing career
and compose some original pieces for the choir to perform
and - only if she had enough time! - she would love to create
a parallel project for a national orchestra of instruments.
The Choir is usually accompanied by a pianist or organist,
or recorded backing tracks, even though once they had the
pleasure to perform live with the accompaniment of the Rooke
Volunteer Band, but a dream come true would be a thriving
Gibraltar National Choir and Orchestra ensemble.
With a diversified repertoire for all tastes and ages, from
Bach to Britney Spears, the Choir counts on forty-five singing
members, who pay a symbolic £ 5.00 yearly membership
fee and a pound per rehearsing session to cover expenses,
supported — not only financially — by private
and corporate non-singing members who are on their mailing
list and are often invited to attand performances.
To encourage children, their membership is free — they
meet once a week to learn about music, notes, rhythm, and
of course singing, making every session as fun as it is educational.
Although she is pleased with the children’s response,
Lili would like to see more teenagers and young adults join
in — as well as some extra altos and male voices.
But what does it take to become a chorister of this prestigious
institution?
Commitment is the main ingredient, as voices can be in most
cases be
educated:
“If you can sing ‘Happy Birthday’ in tune
and are willing to show up to practice regularly, then you’re
usually fine by me!” Lili explained.
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